I acknowledge and pay respect to custodians – past present and emerging – on Dharawal land where I live and conduct this creative practice. I extend this respect to all Aboriginal and Torres Strait Islander people. Sovereignty never ceded.

Bianca Hester

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Bianca Hester is an artist, writer and educator engaged in place-based practice through artistic research. Her work investigates entanglements between colonial inheritance, extraction, environmental crisis, evolution and extinction evident within locations across the Australian continent. Employing relational feminist methodologies, she combines experimental fieldwork, engaging the geologic record (in archives and in situ), embodied site-writing, sculptural production, collaboration and performed actions to develop projects that unpack the material conditions of specific places, resulting in an expansive form of public art unfolding in dialogue with a range of interlocutors and participants.

Dust of these domains SITEWORKS, Bundanon
(2023)

Involving drawing, text and objects cast from paleo-botanical fossils held in the archives of the Australia Museum, Dust of these domains involves a reading-walking performance that tracks a circuit around the grounds at Bundanon — on lands of the Dharawal and Dhurga language groups — from the lowest reaches of the Shoalhaven River to the highest accessible elevation in the Spotted Gum Forest behind the museum. The walk pauses at four locations, while text-fragments written in response to the site are performed. Dust of these domains investigates the interdependence of colonial inheritance and extractive relations within the current climate crisis through embodied experiences within the Illawarra and Shoalhaven regions. It experiments with forms of relationality with non-human life within which human worlds are enmeshed to grapple with the instability of thought and materiality at the close of the Holocene, at an embodied, communal, and planetary scale.

Dust of these domains is structured in 4 interrelated parts

A walk
The work is framed through a performance-walk that tracks a circuit around the grounds at Bundanon — on lands of the Dharawal and Dhurga language groups — from the lowest reaches of the Shoalhaven River to the highest accessible elevation in the Spotted Gum Forest behind the museum. The walk pauses at 4 locations, while text-fragments written specifically for the occasion are performed:

  1. Registering: Inside the museum’s Laboratorium.
  2. Submerging: At the Jetty on the Shoalhaven River.
  3. Surfacing: At the top of the Budawang track, in the Spotted Gum Forest.
  4. Airborn: On the museum’s roof, overlooking the canopy of the Eucalyptus Botryoides forest in the west.

Performance objects

A set of bronze performance objects hand-moulded from wax that was worked into the crevices of silicone surfaces which were themselves pressed upon the fragments of fossils selected from the following sources:

  1. Plant fossils from the Permian and Triassic epochs held in the paleo-botanical archives of the Australia museum;
  2. My backyard in Wollongong, which sits on Permian epoch ground;
  3. Surfaces rocks from the cliffs that register the Permian-Triassic boundary and the third and largest mass extinction event on Earth;
  4. Contemporary anthropogenic surfaces at Bundanon as well as surfaces of living botanical forms found in the plant community of the Spotted Gum forest on the hill in the upper reaches of the Bundanon property.

These bronze objects are carried throughout the duration of the event, by the walking-participants.

Performed texts

The texts consider the geologic residues of past environments that persist in the present, traces of extinction and regeneration that are registered in the geologic record, and the interdependence of colonial inheritance and extractive relations within the current climate crisis through embodied experiences within the Illawarra and Shoalhaven regions.

A poster

A poster made specifically for the event is composed of rubbings made from a series of surfaces ranging from the geologic to the botanical, spanning a vast sequence of timescales. Some are made from currently living formations, while others document life-forms long extinct, but which gave rise to geologic formations while remaining registered within them, such as Glossopteris leaves of Permian era forests of Gondwanaland.

  • Download the poster here.
  • Download the script here.

*Photography by Rachael Tagg.

Anthropogenic, Archive, Basalt, Brick, Bronze, Colonial continuums, Coal, Concrete, Cosmic, Deep time, Digging, Dirt, Dust, Embodiment, Extractivism, Extinctions, Floor, Fossil, Fragment, Geologies, Groundwork, Installation, Materiality, Object, People, Performance, Permian, Place, Plant life, Process, Meteorite, Moving, Moving image, Rubbings, Sandstone, Sculpture, Singular objects, Site, Sociality, Steel, Still image, Textual, Triassic, Walking, Wall.