I acknowledge and pay respect to custodians – past present and emerging – on sovereign Dharawal Wodi Wodi land where I live and conduct this creative practice. I extend this respect to all Aboriginal and Torres Strait Islander people. As a beneficiary of a colonial continuum and the resulting disproportionate distribution of wealth across this continent – I Pay the Rent – and invite you to do so too.

Bianca Hester

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Bianca Hester is an artist, writer and educator engaged in place-based practice through artistic research. Her work investigates entanglements between colonial inheritance, extraction, environmental crisis, evolution and extinction evident within locations across the Australian continent. Employing relational, embodied and situational methodologies – she combines experimental fieldwork, engaging the geologic record (in archives and in situ), site-writing, sculptural production, collaboration and performed actions – to develop projects that unpack the material conditions of specific places. This generates an expansive form of public art unfolding in dialogue with a range of interlocutors and participants.

Dust of These Domains (Paddington) UNSW Galleries
(2024)

PERFORMANCE DATES
8 & 15 November, 2025

VENUE
UNSW Galleries & surrounding streets, Paddington


PERFORMERS
Bianca Hester & Astrid Lorange


ASSOCIATED MATERIAL
Dust of these domains script
Promotional poster

Dust of these domains is an ongoing project involving reading and walking, evolving in relation to the specific locations in which it is performed. It involves a script composed of textual fragments and a set of hand-scaled bronze objects bearing impressions of fossilised plant life from the Permian and Triassic geologic periods, when the continent formed part of Gondwana approximately 250 million years ago.

Originally developed from the book Sandstone written by Hester in 2020 for the Lost Rocks series, this textual performance is positioned as a set of lively footnotes that mobilise elements of the Lithic Bodies exhibition – speaking directly to its materiality and to the environmental contexts and geologic temporalities of the places underpinning it.

This new iteration tracks a circuit around Paddington on Gadigal-Bidjigal land, and involves listening, moving, and tactile engagement. The walk pauses at specific locations, where text-fragments written in response to the site are activated. In this work participants are invited to reflect upon social and environmental forces entangled within the current climate crisis.

Photo: Anna Hay
Photo: Anna Hay
Photo: Anna Hay
Photo: Lucy Parakhina
Photo: Anna Hay
Photo: Anna Hay
Photo: Anna Hay
Photo: Lucy Parakhina
Photo: Anna Hay
Photo: Anna Hay
Photo: Anna Hay
Photo: Anna Hay
Photo: Anna Hay
Photo: Lucy Parakina
Photo: Anna Hay
Photo: Anna Hay
Anthropogenic, Archive, Basalt, Brick, Bronze, Colonial continuums, Coal, Concrete, Cosmic, Deep time, Digging, Dirt, Dust, Embodiment, Extractivism, Extinctions, Floor, Fossil, Fragment, Geologies, Groundwork, Installation, Materiality, Object, People, Performance, Permian, Place, Plant life, Process, Meteorite, Moving, Moving image, Rubbings, Sandstone, Sculpture, Singular objects, Site, Sociality, Steel, Still image, Textual, Triassic, Walking, Wall.